A satirical look at being an Afrikaner in the 21st century. This piece analyses the political, social, cultural and absurd landscapes in which Afrikaners/“Afrikaners”/Afrikaans speaking people find and express themselves. From pop music to pyramid schemes, saying grace and a partiality for the acute – nothing here is sacred (or safe). A karate water concoction of sketches, music, dance and parodies. Nominated for the Kanna for Best Comedy, and Best Blitsteater at the 2025 KKNK.